How Many Nights In A Row Should You Perform?
It is Saturday and I am in Pittsburgh, Pennsylvania. It’s a beautiful day and I am taking it easy as I have a house concert tonight and one tomorrow night, both without sound systems, so I have to have plenty of rest and make certain that I don’t sing too hard; something that is very easy to do when you are working without a sound system.
I have been asked how many concerts in a row I can do without the show suffering, and I think that three is my particular limit. I mean the shows are always at least two hours of performing not counting the interaction before, during and after the sets.
The fact that I have two unamplified house concerts in a row, followed by a concert in New York City at the Cutting Room (www.thecuttingroomnyc.com) and this being my first show in New York City in years, I am very much interested it doing my best there.
I mean you are always interested in doing your best. My friend, Tom Dundee, payed me an enormous compliment when he told me that I treat every gig like Carnegie Hall. I don’t think that it should be any other way, but, you must pace yourself, so that you can do that at every gig. And if this sounds like a burden, believe me it isn’t. Carrying around the memory of a show where you couldn’t deliver your best is much more of a burden.
It is my plan to ease into this day and to sing and play gently for several hours today. I am going to start out with humming and playing and then ease into the singing. After I ma thoroughly warmed up, I will do a tweny minute meditation and then get cleaned up and sing and play more.
That way when I walk into the spotlight, I am already in the place where I can access the best of what I ‘ve got to offer. And I will do a fifty five minute set followed by a thirty break which is actually a meet and greet, and then a fifty minute show.
After the show, I always do meet and greet at the end of the show. I like to make certain that anyone who’d like to talk to me can do so. Plus I like the connection. It is both fun and rewarding to know that the music that came from my heart is actually resonating in another heart. Nothing tops that sort of interchange.
However this evening, I will try to be more of a listener than a talker, as talking actually is harder on your voice than singing. That’s one of the reasons that I never go to a loud bar after a show. Shouting after singing all night will really fry your voice. And as a solo performer I have no place to hide if my voice can’t do the songs that I’ve written.
And I have one more consideration in this instance. I must get up at 7 am tomorrow morning and drive some three hundred miles and then do another show tomorrow night. So will be careful and aware this eveing and tomorrow evening as well. Hopefully I can sleep until I wake up on Monday and then make the relatively short drive to NYC from Philadelphia.
I will also stay very well hydrated today and tonight and tomorrow. Not drinking enough water is another thing that can fry your voice. You must stay completely hydrated when you are doing three shows in a row.
Actually you should always stay well hydrated. It’s better for your health and your vitality to keep a constant stream of water flowing through you. You can tell when you are getting enough water because your urine is almost clear. I know this sounds a bit coarse, but make certain that you are not a dark yellow. That is an indication that you must drink more water.
So the short summation here is plenty of rest, plenty of easy warm up time, focused meditation and plenty of water. That’s how I plan to do it. I’ll let you know how it goes after Monday night’s show. I will have done the three concerts in a row at that point.
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Reader Comments (3)
James,
I dont think mentioning the clorul one's urine should be is at all coarse or innapropriate...if you arent healthy especially with basic aspects like hydration and kidney function... performing isnt your first order of business...So you are being responsible as I see it.
Bobby
um that "clorul" was meant to be colour and there should have been an "of" after it...
Since you mentioned speaking and that you are humming as part of your warm up I have rolled both around in my head...cos um thats what I do with my grey matter...its a gift
I have been taught and have found that humming is a great way of warming up for speech and singing...
I was told once that Pavoratti said to always keep the hum in your voice...that is keep your voice phonating above the hard pallate(roof of the mouth)...and up front in the face...staying with that idea and explaining what I mean...Here Mr. Stanley and folks in general is my story...
there are some exercises called vocal funtion excercises that have been around for decades...they are on the internet as is the speech pathologist named Dr. Joe Stemple who didnt discover them but is world renowned with getting them out their to the public and voice medecine at large...I was a voice patient of his for 6mos back in 200...I didnt know that he was well known till long after I was his patient...I'm glad I didnt know who he was or I might have acted like i shouldnt question him...becos of course i questioned him alot...and it was my voice and I wanted to understand what he was talking about...it I had known who he was I might have ridden him even harderbelieving that he should know...ok i digress
in the series of excercises that flesh out the vocal function exercises there are resonant voice exercises...they revolve around the hum concept
and the idea isnt to sing or even speak it is to phonate...simply to vocalize without the effort of speaking or singing its more of a canting with alot of nasal sound
with that in mind you do this:
mahwah...that "M' sound combined with the "W' sound
keeping it as a hum...focusing the sound on the front of the face...the mouth will open for the combo "MW" and the focus will stay on the nose and and the eyes...the mask of the face...doing this gently at and around the natural pitch of your voice will give the voice alot more ease to sing and speak...so here it goes once more to clarify
do easy humming simply fonating and keep the focus on the front of your face...you will often feel vibration in your face...then go into a gentle MahWah sound chanting and keeping your thorat relaxed as if you are yawning...this concept can be applied to sining warm ups doingthe same chanting but saying "Yum" over and over connected so that you will eventually sound to yourself like you saying "Meow"...and you can go up and down the scales with this...keeping it easy in your mid range and dont force the sound the easier you go the easier it will be and your voice will engage and meet the task...James you may critique any of this...I dont claim to be an expert or the be all end all...these have been things that I have found helpful in my vocal experience...
bobby, this is a wonderful post. thanks for sharing this technique with us.
james