Subscribe
More About This Website

Datamusicata is a free resource for anyone who needs some info, hints, tips, and recommendations for being a performing artist.     There is a welcome page, a biography page, the journal itself and an index with a link to each specific article , a search function, or you can just wander at will thru the entire journal.   Thanks and please leave us comments on anything that you believe might help us all.      

james@jamesleestanley.com

 

 

Search
Login
Miscellaneous
Blogroll Center Music Add to Technorati Favorites

WorldWideOCR

Online Copyrights Registration in minutes. International protection and archives for your copyrights, starting at around $3. Save time and a lot of money!
Powered by Conduit
Google
Online Advertisingmortgage
This area does not yet contain any content.
Powered by Squarespace
« Norton Buffalo Passes | Main | Melodies - And What Restricts Them »
Tuesday
Oct272009

Melodies - Experimentation With Chord Progressions

Friday we talked about melodies and how the instrument that they are created on can restrict the melody.   Today we’re going to go the other way and hear how the instrument can expand the melody and it’s emotional impact.

 

 

 (clipped from the newspaper and used by permission of Universal Syndicate)

If you have a melody, written or borrowed., let’s start with that.    Let’s put it in the key of D and let’s say the song is in 4/4.  

 

Now the simplest chord progression that we all learn is the  D, G, A  or I, IV, V progression.   Try applying this over the melody in several ways.

 

Take the first phrase of the melody and only play the D chord; for the second phrase the G chord and for the third phrase the A chord.   Listen to the way the melody is affected by these changes.

 

Now take the same melody and play the D chord for two beats, then the G chord, then the  A chord for two beats and then the G chord again for two beats.    Do you hear the different way these same chords affect the melody?

 

Now try playing it one chord to each beat, so that the chord progression is a rolling thing under the melody.   Brian Wilson used this kind of thing a lot in his later Beach Boys hits.

 

You can try these chords in any order and for any length.   Every choice you make will affect the unchanged melody differently, with at least interesting results.

 

Okay, so far, we have stayed in the key center and been very diatonic.   Let’s try a little experiment by adding the C chord to the progression.    We’re still using the same melody, but the progression we’re doing to try this time is:

D for two beats, C for two beats, G for two beats, and A for two beats and repeat for the length of the melody. 

 

Listen to the affect.   What happens emotionally?   It’s just amazing.

 

Play with this.  Try it with four beats each or one beat each, and listen each time you do it.   Can you hear what happens to the melody when you change the chord underneath it.   

 

For me, this demonstrates how much freedom there is when arranging and composing.    Changing the chords to a song you’ve already written is also always a fun way to experiment.

 

And we haven’t even explored the changes from major to minor chords (tho some accommodation must be done to the melody in some instances).

Reader Comments (2)

Nice post..thanks for sharing... do try..play & listen music online at koffii

November 2, 2009 | Unregistered CommenterEnglish music songs

HHH Yes, the design of national policy is important, how our economic development plans for the next five years, how the implementation, how to make our economy even faster. Are designed to advance our focus to invest money in what ways it should be carefully arranged. oopxiz oopxiz - Belstaff Winter Coats.

December 11, 2011 | Unregistered Commenterqjrkry qjrkry

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>